So, after about 17 revisions (really), the beast has all its words. It will lose some in the final edit, but at least I’m not looking to add a bunch more. Into the pics next (already have some done), and then layout. Will do the final clean-up after that to get it all looking more less like an real book.
Here’s how the chapters ended up:
1: Mind-Set & Modules 2: A Foundation 2.1: Components & Actions 3: Overhead Cast 3.1: Loops & Accuracy 4: Line Control, Grip & Stance 5: Mending 6: Side-Arm & Crossing Casts 7: 3-D Casts 8: Curves 9: Hauling 10: Distance & Wind 11: D-Loop Group 12: Other Casts & Skills
The order changed in the final couple of weeks, and was a bit of departure from what I had been planning, but in the end it made the most sense to me. The D-Loop Group was and still is a bit of a monster. Started at 50 pages, then down to 44 now, and hopefully whittled to 40 by the time it’s all over.
Want to reserve a copy well ahead of time? Email me (see Contact JB in the header) or leave a comment here.
A snippet from the book’s header and the start of Chapter Two:
I am winding up the D-Loop Group chapter of Single-Handed Fly Casting, and with that will be the end of the writing at very long last. Here’s where the book stands at present in terms of chapters:
1: Mind-Set & Modules 2: A Foundation 2.1: Components & Actions 3: Overhead Cast 3.1: Loops & Accuracy 4: Line Control, Grip & Stance 5: Mending 6: Side-Arm and Crossing Casts 7: 3-D Casts 8: D-Loop Group 9: Hauling 10: Distance & Wind 11: Curves 12: Other Casts & Skills
There is also a small appendix on casting gear, which morphed from a much larger prologue that simply ate up too much space.
There are indeed two subchapters in there (2.1 and 3.1). Those are meant to allow readers to either dig deeper, or skip the topics and come back for more detail after they move through the rest of the text. I want the book to feel more like an extended casting seminar, so some aspects get set to the side while the main flow continues on.
I am also into the pics now, too. Shot a small pile of photos and video in the studio recently for the close-up pantomime stuff. May turn those into line drawings before this is all done. Photos are nice, yes, but I’m an illustrator at heart and feel that line drawings can often better isolate instructional aspects (as long as the drawings are based on actual photos or video, and aren’t overly “optimized” to create impossibly perfect scenarios).
The reservation list is filling; many thanks to those who have signed up for a copy.
on October 2, 2014, 6:40 am,
under Special, Video.
My “other” sport, mountain biking, done the old school way, with new school skills (and gear). This is what one might call “pure” cross-country, as in out across the country side, but the degree of “cross” and “country” … well, just watch. The skill-set of Danny Macaskill is in another galaxy, and the location has been on my life list since the very first time I read about it as a kid. No fly fishing in the video, of course, but this gets me longing to be doing something truly special is a truly special place.
With fall mere hours away here in the Northern Hemisphere, I got to thinking about my old home state of Wisconsin and its signature fish, the Muskellunge. A cool fish to catch, even cooler on a fly rod. With the thoughts of autumn colors, the scent of fallen leaves, and the flow of tannic waters in my head, I figured now was as good a time as any to pull an old Drawing Fish 52 pic out of the archives. I hope that those who know Wisco will recognize something familiar about both the fish and its outline.
This is a little vector-art piece I did as part of the Drawing Fish 52 project (with Jeff Kennedy). It’s a representation of a Rio Grande cutthroat and one of the streams of its native habitat (Costilla #1 in northern New Mexico).
Costilla #1 flows from Colorado into New Mexico on the Vermejo Park Ranch property, and is a water I have fished since I was five years old. Our family spent a few weeks every summer at Vermejo from 1975 through the late 1990s, plus time here and there after that. The ranch’s waters figure very large indeed in my fly fishing life.
In addition to the waters of Vermejo, the fish themselves had a huge influence on me. From a 15-pound brown (yeah, a real one) that popped my eyes out (but didn’t take) to the gem-like Brookies at 11,000 feet, there is a swirling cascade of Vermejo fish in my head.
The Rio Grande is a special fish, though. Rare, and found gliding in cold waters under peaks and pines in still-wild places. Every time I catch one, I am excited to see and briefly touch something extraordinary in this world. For me, the Rio Grande will always be a fish that takes me to places still burning deeply in my angling memories.
As an aside, I think that one of the deceiving things about this image is that it looks like the actual mountains are far away. They aren’t. That’s Wheeler Peak far to the south that you see in this view, but just turn right 90 degrees and you’re looking at a wall that tops out at 13,000. The stream is 9,900-ish at this point. This far south in the Rockies the summer snowpack is quite high (altitude), and in late July, you often won’t get cold toes until you are closer to 11,000 or so.
The rod I’ll be using for photography for my in-progress Single-Handed Fly Casting book. White with black wraps and basic black reel seat. Built for me using an SC20 blank by my good friends down the road at C.F. Burkheimer Fly Rod Co.. The “Blaster” name was unexpected, but Kerry (the “C.F.” in C.F. Burkheimer) has a sly sense of humor and he figured I’d get a laugh out of it. I think it’s the best name of any rod I’ve ever had (eat your heart out, Gus Orviston). The rod also does some of everything well—aerial, roll, Spey—so hopefully I’ll be able to blast out some good casts for the book pics.
From four years ago, a little Sofa Pillow illustration that was part of the original Drawing Flies 52 project I did with Jeff Kennedy. Seemed an appropriate time to revisit it. Still one of the favorites from that year’s series. If I recall, Marshall over at MidCurrent.com has this one in his collection.
The chapters of Single-Handed Fly Casting have final (I think) names. This is where the breakdown of topics stands at the moment:
Gear Prologue 1: Mind-Set & Modules 2: A Foundation 2.1: Components & Actions 3: Overhead Cast 3.1: Loops & Accuracy 4: Line Control, Grip & Stance 5: Mending 6: Angled Casts 7: 3-D Aerial Casts 8: D-Loop Group 9: Hauling 10: Distance & Wind 11: Curves 12: Other Casts
You’ll notice two subchapters in there (2.1 and 3.1). Those allow readers to either dig deeper as they go, or skip and come back for more detail after they move through the main chapters. I want the book to feel more like an extended casting seminar that my readers are engaged in, so some aspects get set to the side while the main flow continues on. Right now I’m looking at 238 pages without any photos/illustrations. Then add pics …
The reservation list is filling; many thanks to those who have signed up.
Was going back through a bunch of art files on my computer and realized that I never posted this (that I can remember). It’s a piece I put together a while back for a European fly festival poster. It also ended up in an issue of Trout Unlimited‘s “Trout” magazine. It’s basically all fish drawn/painted in 30 minutes or less (all images are from the Drawing Fish 52 project, which required images to be created in that timeframe). The composite was done in Photoshop, which also gave me the chance to further play with some of the individual image structures. Hope your eyes find it interesting.
On the left is me on the banks of Idaho’s Henry’s Fork in 1972. On the right is my daughter, Brooke, on the banks of Washington’s Columbia in 2014. When I saw her in the grass and flowers it was such a powerful moment. She was me and I was her. Even the rivers on which these photos were taken become part of each other.
Sitting in the warm Oregon sun, working my way through the master list of “writing to do” in Single-Handed Fly Casting. Almost to the point where I can check off the last two major boxes in the Angled Casts chapter, then I’ll aim for the remaining two boxes in the 3-D Casts chapter. The Gear Prologue plus chapters 1, 2, 3, 5, 9, 10, and 12 have this written next to them: Done. Once all of the chapters have that same word next to them, they’ll get a pass to add figure numbers. Then they’ll get a pass to make sure they all still make sense!
Had the watercolors and a brush out this last week. Did two Sakasa Kebari in Payne’s Gray (with a dot of Quinacridone Red) on some 140 lb Canson cold press. One (the “rounded,” at the top) went out as a commission. The other (the “sleek,” at the bottom) is available. 6 x 9 inches; $40 shipped. Shoot me an email if you’re interested. Otherwise, I hope you just enjoy the pix.
Fish, Flies & Water serves as both my personal fly-fishing blog and the blog of the J.Borger Fly Fishing brand. It is meant to provide a flow of fly-fishing articles, images, and media, as well as news, updates and other links. I hope that you enjoy the read.
This will be my follow-up book to Nature of Fly Casting. It takes what was presented in Nature and updates and overhauls it. It also refines its focus to the single-handed world, including Spey-related casts (double-handers may be a future project). There will be 1,001 hard-covers printed in total. Each will be signed and numbered. If you want to get on the list now, you can find out how in this post. The book is anticipated to be finished in late 2014.
J.Borger SC20 Rod
The SC20 is limited to 20 numbered examples, and is a rod designed for all-around trout fishing. It is based on my memories of casting a shadow under a Montana big sky. Consider it a modern re-interpretation of subtle "old-school" sensations. The SC20 is rolled and built by friends just down the road from me.